Antibalas live in concert.
ON TOUR

Antibalas

21
critic concert reviews
global

How Good Are They LIVE?

Live Rating  

80
%
Based on 
21
critic concert
reviews
Last 12 Months Rating  
%
Based on 
critic concert
reviews

Real Live Certified  

Real Live Certified badge for artists with consistent, high quality live performances and broad critical acclaim.

Critic Consensus

Based on 21 concert reviews, the critic consensus is that Antibalas is rated as a remarkable live performer, with worthwhile shows overall. Antibalas concert reviews describe live shows and performances as infectious, feel-good, surreal, rhythmic, and hypnotic.

ON TOUR

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FESTIVALS IN 2024

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Latest Release

Paste Studio NYC (New York, NY) 02/07/2020 (7 February 2020)

Artist Info

Genre
global
Origin
Brooklyn, New York, New York, United States (1998 - present)
Bio
Antibalas is a Bushwick, Brooklyn based afrobeat band that is modelled after Fela Kuti's Africa 70 band and Eddie Palmieri's Harlem River Drive Orchestra. Although their music is primarily afrobeat, their music incorporates elements of jazz, funk, dub, improvised music, and traditional drumming from Cuba and West Africa.
Has Performed With
Zap Mama

Critic Concert Reviews

Glide Magazine (USA)

October 4, 2021
%
With summer in the Pacific Northwest bidding adieu and the rainy season lurking around the corner, concert promoters who got a late start to the season due to Oregon having some of the harshest pandemic restrictions in the country are cramming as many outdoor shows in as possible before the weather is no longer suitabl

Glide Magazine (USA)

February 25, 2020
%
For just over two decades, Brooklyn-based musical collective Antibalas have been proudly waving the Afrobeat flag.

Exclaim (Canada)

October 7, 2018
90
%
Up+Dt Festival, Edmonton on October 6, 2018

Diandra Reviews It All (USA)

September 16, 2017
%
Antibalas Give A Feast of Sound At Gramercy Theatre

Exclaim (Canada)

February 8, 2015
70
%
Walking into the formal setting anticipating an Afro-beat dance party was slightly surreal yet by the end of the evening a standing chanting audience sang the band out.

Glide Magazine (USA)

February 10, 2009
%
The venue proved to be a good fit for the afro-beat collective, despite the small stage—wedging 12 band members, including keys, full percussion and six horns, into that cramped area was an impressive feat.

Glide Magazine (USA)

April 6, 2007
%
After seeing them again 2 years later, I remained a fan, but wondered about their staying power and ability to emerge from behind the long shadow of Fela Kuti and assert a fresher, more developed sound.

Past critic reviews published in

NME (UK), musicOMH (UK), NME (UK), The Guardian (UK), Exclaim (Canada) and more

Image Credit

Federico Cantoni [CC BY-SA 2.5] via Wikimedia Commons