"How good are they LIVE?" in the last 12 months on 100 (as of 1/30/26)
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Based on
critic concert reviews
Real Live Certified
Artists are "Real Live Certified" if their live shows have broad critical acclaim
Critics Consensus
Based on 19 concert reviews, the critics consensus is that Nadia Reid is rated as an entertaining live performer, with worthwhile shows overall. Nadia Reid concert reviews describe live shows and performances as emotional.
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On tour
St Matthias Parish Church, London, United Kingdom (April 24)
Nadia Reid (born Nadia Reid-O'Reilly on 23 August 1991) is a New Zealand singer-songwriter based in Auckland. Her albums, "Listen to Formation, Look for the Signs", and "Preservation", have received wide acclaim at home in New Zealand and internationally.
Has Performed With
Artist Website
Critic Concert Reviews
The 13th Floor (New Zealand)
July 12, 2025
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Towards the end of her generous set, Nadia Reid spoke of her studio in Salford and how it takes two buses and over an hour to get there from her new home in Manchester. But, said a close friend, it’s all about the journey.
Following up the frenetic Jenny Don't and the Spurs run of Small Hall Sessions, the pace and volume has eased considerably this time around, with the current guest being Nadia Reid and band.
Celebrating her third album, Out of My Province, released a year ago (pre-you-know-what, as Nadia puts it) Nadia Reid and her band are in the middle of a nationwide opera house and theatre tour and boy they do not disappoint.
Touring to close the loop on previous recordings before committing to her next one, tonight Nadia Reid and her band kicked things off at Hastings' grand old lady of ToiToi, weaving magic soundscapes accompanied by intelligent and literate lyrical outpourings.
Not a sound from the packed Tuning Fork in Auckland tonight. As we watch Nadia Reid and Hollie Fullbrook perform their literary, emotionally complex and musically lavish evolved Folk music. As their country-wide tour reaches the City of Sails and Viruses. Can testify to this personally.
Wearing generous, owlish glasses, the New Zealander’s black-and-white gaze goes over to the left on 2015’s precocious Listen to Formation, Look for the Signs.
