"How good are they LIVE?" in the last 12 months on 100 (as of 9/23/24)
%
Based on
critic concert reviews
Real Live Certified
Artists are Real Live Certified if their live shows have broad critical acclaim
Critic Consensus
Owen Pallett is 'Real Live Certified' and is in the top 10% of all live performers. Based on 47 concert reviews, the critic consensus is that Owen Pallett is rated as a remarkable live performer, with impressive shows that are worth watching. Owen Pallett concert reviews describe live shows and performances as lyrical, lovely, and heartbreaking.
ON TOUR
Standard Time, Toronto, Canada (October 17); Hanzas Perons, Rīga, Latvia (November 17); Elbphilharmonie Hamburg - Kleiner Saal, Hamburg, Germany (November 18); Cactus Club, Brugge, Belgium (November 20); Petit Bain, Paris, France (November 22); de singel, antwerpen, Belgium (November 23); Rescue Rooms, Nottingham, United Kingdom (November 24); Oran Mor, Glasgow, United Kingdom (November 30); New Century Hall, Manchester, United Kingdom (December 1); Olympia Theatre, Dublin, Ireland (December 8)
Owen Pallett (born Michael James Owen Pallett-Plowright, on September 7, 1979) is a violinist and singer from Toronto, Ontario, Canada, and winner of the inaugural Polaris Music Prize. On December 18th, 2009, Pallett announced that he would be retiring his old artist name, Final Fantasy, and would be henceforth releasing his material under his own name.
Has Performed With
Jessica Says, Avi Buffalo, Final Fantasy
Critic Concert Reviews
Exclaim (Canada)
November 16, 2019
70
%
Owen Pallett / Carmen Elle 27 Club, Ottawa ON, November 15
Owen Pallett announced recently that due to a moment of clarity whilst onstage last year this would be his last ever tour; the news either fell on deaf ears in these parts or simply came too late for many.
didn't take his songwriting in some welcome new directions, mind you: it's more that as an artist's modes and mantras become more and more familiar, the gap between your expectations and the experience they deliver inevitably folds in on itself.
But no matter how dense the layers of violin and keyboard that he loops or how terse the strokes of his chords Pallett pinpoints beauty in the blizzard.
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