"How good are they LIVE?" in the last 12 months on 100 (as of 3/8/25)
%
Based on
critic concert reviews
Real Live Certified
Artists are "Real Live Certified" if their live shows have broad critical acclaim
Critics Consensus
Based on 20 concert reviews, the critics consensus is that Squarepusher is rated as a neither good nor bad live performer, with mediocre shows overall. Squarepusher concert reviews describe live shows and performances as enjoyable, ambient, and retrospective.
How long are their concerts?
How long are Squarepusher concerts? Squarepusher concerts usually last around 45 minutes.
How much to book?
How much does it cost to book Squarepusher? To hire for a live performance or concert, the booking fees for Squarepusher range from $25,000 - $40,000, with Squarepusher's current estimated booking fee to be around $25,000.
Squarepusher is a pseudonym of Chelmsford, Essex, England, electronic musician Tom Jenkinson (b. 1975), best known for his experimental drum and bass, with a heavy jazz fusion influence.
Has Performed With
Artist Website
Critic Concert Reviews
Jazzwise (UK)
November 1, 2021
%
The über-producer/bassist is back at his best after a pandemic-induced hiatus, finally unleashing his rainbow-spattered sonic assault on the senses
Before Jenkinson took centre stage the theatre was full of ambient noise, ebbing and flowing while two identical, glowing shapes appeared on the left and right floor-to-ceiling screens.
First German electro pioneers Kraftwerk presented The Catalogue at Tate Modern a chronological retrospective that united eight of their best-known albums with 3D projection and renewed their reputation as the most influential techno group ever.
The disconnect between Kai Campos's hoodie-adorned head nodding away to his beats and Dominic Maker standing almost motionless while singing was enjoyable to watch and the use of a cymbal was a nice touch adding some tension to the performance.
Daft Punk set the bar by performing in robot regalia while stationed in the center of an incandescent pyramid, and acts such as Shpongle and Amon Tobin have constructed their own elaborate fortresses of amplitude to blend the visual with the sonic.
