Squarepusher live in concert.
ON TOUR

Squarepusher

20
critic concert reviews
electronic

How Good Are They LIVE?

Live Rating  

66
%
Based on 
20
critic concert
reviews
Last 12 Months Rating  
%
Based on 
critic concert
reviews

Real Live Certified  

Real Live Certified badge for artists with consistent, high quality live performances and broad critical acclaim.

Critic Consensus

Based on 20 concert reviews, the critic consensus is that Squarepusher is rated as a neither good nor bad live performer, with mediocre shows overall. Squarepusher concert reviews describe live shows and performances as enjoyable, ambient, and retrospective.

ON TOUR

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FESTIVALS IN 2024

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Latest Release

Abacus 2 (Ultravisitor 20th Anniversary Reissue) (19 September 2024)

Artist Info

Genre
electronic
Origin
Chelmsford, United Kingdom (1/17/1975)
Bio
Squarepusher is a pseudonym of Chelmsford, Essex, England, electronic musician Tom Jenkinson (b. 1975), best known for his experimental drum and bass, with a heavy jazz fusion influence.
Has Performed With

Critic Concert Reviews

Jazzwise (UK)

November 1, 2021
%
The über-producer/bassist is back at his best after a pandemic-induced hiatus, finally unleashing his rainbow-spattered sonic assault on the senses

The AU Review (Australia)

May 24, 2015
%
Before Jenkinson took centre stage the theatre was full of ambient noise, ebbing and flowing while two identical, glowing shapes appeared on the left and right floor-to-ceiling screens.

The Music (Australia)

May 22, 2015
%
Sydney Opera House, Sydney, Australia

The Arts Desk (UK)

May 8, 2015
80
%
Brighton Dome, Brighton, UK

musicOMH (UK)

April 2, 2013
60
%
First German electro pioneers Kraftwerk presented The Catalogue at Tate Modern a chronological retrospective that united eight of their best-known albums with 3D projection and renewed their reputation as the most influential techno group ever.

Exclaim (Canada)

November 3, 2012
70
%
The disconnect between Kai Campos's hoodie-adorned head nodding away to his beats and Dominic Maker standing almost motionless while singing was enjoyable to watch and the use of a cymbal was a nice touch adding some tension to the performance.

Spectrum Culture (USA)

August 19, 2012
%
Daft Punk set the bar by performing in robot regalia while stationed in the center of an incandescent pyramid, and acts such as Shpongle and Amon Tobin have constructed their own elaborate fortresses of amplitude to blend the visual with the sonic.

Past critic reviews published in

Image Credit

friend five [CC BY 2.0] via Wikimedia Commons