Anais Mitchell live in concert.
ON TOUR

Anais Mitchell

35
critic concert reviews
folk

How Good Are They LIVE?

Live Rating  

84
%
Based on 
35
critic concert
reviews
Last 12 Months Rating  
%
Based on 
critic concert
reviews

Real Live Certified  

Real Live Certified badge for artists with consistent, high quality live performances and broad critical acclaim.

Critic Consensus

Anais Mitchell is 'Real Live Certified' and is in the top 5% of all live performers. Based on 35 concert reviews, the critic consensus is that Anais Mitchell is rated as an excellent live performer, with memorable shows that are worth seeing. Anais Mitchell concert reviews describe live shows and performances as lively, memorable, extraordinary, refined, mesmerising, charismatic, and ebullient.

ON TOUR

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FESTIVALS IN 2024

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Latest Release

Anaïs Mitchell (Deluxe) (5 May 2022)

Artist Info

Genre
folk
Origin
Montpelier, Washington County, Vermont, United States (3/26/1981)
Bio
Anais (uh-nay-is) Mitchell (born 26 March 1981) is an American singer-songwriter, musician, and playwright from Vermont, USA, who attended Middlebury College. Anais' voice is akin to Cyndi Lauper's & song-writing / delivery's inspired by the confessional styling of artists such as Ani DiFranco.
Has Performed With

Critic Concert Reviews

Pass The Aux (USA)

May 13, 2022
%
Anais Mitchell illuminates Masonic Lodge stage

Spectrum Culture (USA)

May 4, 2022
%
Anais Mitchell

The Scotsman (Scotland)

February 3, 2020
80
%
Jim Gilchrist

The Arts Desk (UK)

February 1, 2020
100
%
Anais Mitchell, Bonny Light Horseman, Roundhouse review - heart-warming folk bliss

The Telegraph (UK)

February 1, 2020
100
%
Anais Mitchell, The Roundhouse, extraordinary, mesmerising, refined - a folk artist of the highest order

musicOMH (UK)

January 31, 2020
80
%
The first set comes from Mitchell's current project, Bonny Light Horseman – something of a supergroup with Eric D Johnson of Fruit Bats on lead vocals and Josh Kaufman (who has worked with Craig Finn and Josh Ritter) on guitar.

The Guardian (UK)

October 29, 2018
80
%
It’s 12 years since Anais Mitchell began writing folk opera Hadestown – and it was another four before this bold and acclaimed resetting of the Orpheus and Eurydice tale in Depression-era America began to creep into wider consciousness in album form.

Past critic reviews published in

The Owl Mag (USA), The Village Voice (USA)

Image Credit

Reinhard Liess [CC BY-SA 2.0] via Wikimedia Commons