Peter Perrett live in concert.
ON TOUR

Peter Perrett

9
critic concert reviews
folk

How Good Are They LIVE?

Live Rating  

81
%
Based on 
9
critic concert
reviews
Last 12 Months Rating  
%
Based on 
critic concert
reviews

Real Live Certified  

Real Live Certified badge for artists with consistent, high quality live performances and broad critical acclaim.

Critic Consensus

Peter Perrett is 'Real Live Certified' and is in the top 10% of all live performers. Based on 9 concert reviews, the critic consensus is that Peter Perrett is rated as a remarkable live performer, with impressive shows that are worth watching. Peter Perrett concert reviews describe live shows and performances as emotive and euphoric.

ON TOUR

King Tut's Wah Wah Hut, Glasgow, United Kingdom (February 13); The Fleece, Bristol, United Kingdom (February 18)

FESTIVALS IN 2024

No items found.
see more festivals

Latest Release

The Cleansing [Explicit] (1 November 2024)

Artist Info

Genre
folk
Origin
Southwark, United Kingdom (4/8/1952)
Bio
Peter Perrett (born Peter Albert Neil Perrett on April 8, 1952 in King's College Hospital, Camberwell, London) is an English singer-songwriter. He fronted the late 1970s English band, The Only Ones.
Has Performed With

Critic Concert Reviews

The Arts Desk (UK)

May 28, 2019
100
%
Concorde 2, Brighton, UK

The Arts Desk (UK)

November 9, 2017
100
%
The set is peppered with Perrett’s raw, self-scathing odes to his wife of many decades, Xena

The Arts Desk (UK)

July 28, 2015
80
%
By the time he reaches the encores, peppering them with diamond after diamond, the sheer emotive quality is dizzying

Dagens Nyheter (Sweden)

March 1, 2020
60
%
Stockholm, Sweden

Louder Than War (UK)

May 24, 2019
%
Glasgow, Scotland

Brighton's Finest (UK)

November 14, 2017
%
It was great to be able to take my mum along to see the frontman from one of her favourite bands from the late 70s punk/new-wave scene.

GIGsoup (UK)

November 8, 2017
%
As a scintillating ‘Another Girl, Another Planet’ ends the encore amid rapturous applause at Camden’s Electric Ballroom, a euphoric crowd reflects on a knockout set. What could top that? But this is the gig that keeps on giving. A second encore offers a new, unrecorded song; the brilliant ’60s-sounding Phil S

Past critic reviews published in

Scenestr (Australia), The Music (Australia), The Music (Australia), Live in Limbo (Canada), Diandra Reviews It All (USA) and more

Image Credit

Paul Hudson [CC BY 2.0] via Wikimedia Commons