Yoko Ono

Garbage's Shirley Manson brought red-hot intensity and St. Vincent worked blue in an eclectic, all-encompassing tribute.

The band’s carefully constructed set went down like a play to Ono’s musical coming out from her days working with John Lennon that took on the avante garde and ended on a quieter, more reflective tone by night’s end.

Shortly after Dolly Parton finishes another cult female legend takes to the Park stage albeit one trickier to sing along with unless you’ve been having your vocal chords hand-stretched on a weekly basis.

Yoko Ono's gradual shedding of her Beatles-ruining stigma and acceptance as an avant garde pop icon has reached breakneck pace of late. Following projects and performances with Japanese electronic experimentalist Cornelius, Kim Gordon and Thurston Moore from Sonic Youth and Lady Gaga, she curated 2013's Meltd

Today after five decades of doggedly pursuing her singular vision through critical brickbats and derision Yoko Ono has become a respected survivor.

Yoko Ono Plastic Ono Band, Royal Festival Hall, London – review

Kon'nichiwa Watashi No Namae Wa, Chibomattodesu Yellow Magic Orchestra, Yoko Ono, Cibo Matto, Towa Tei and Buffalo Daughter Live at the Hollywood Bowl